Phra Nang Paya Ac Thanom Wat Nangpaya B.E.2514

History and Creation Background

• Creator: Created by Phra Khru Seelsarsamphan (Thanom Khemacharo), also known as Ajarn Thanom, the former abbot of Wat Nang Phaya, Phitsanulok Province.
• Objective: Produced to raise funds for constructing the new main chapel (Ubosot) at Wat Nang Phaya to replace the old, dilapidated structure, and to preserve the sacred legacy of the Phra Nang Phaya amulet.
• Creation Intent: Pure and explicit intent, focusing on traditional ancient methods to provide devotees with valuable sacred amulets for worship and protection.

Sacred Materials (Clay Composition)

• Broken Ancient Phra Nang Phaya Fragments: Damaged fragments of original ancient Phra Nang Phaya amulets (Ayutthaya period) preserved at Wat Nang Phaya were crushed into the primary sacred powder ingredient.
• Sacred Soil and Minerals: Soil gathered from the ancient Wat Nang Phaya crypt, Sa Kaeo holy pond, sacred sites across Thailand, and ancient mineral powders.
• Holy Powders: Sacred Ittije powder, Patthamang powder, and holy powders contributed by famous master monks nationwide.

Grand Consecration Ceremony (Grand Ritual, B.E. 2514 / 1971)

1. Luang Pu Toh of Wat Pradou Chimphli, Bangkok
2. Luang Por Ngen of Wat Don Yai Hom, Nakhon Pathom Province
3. Luang Pu Fan Ajaro of Wat Pa Udom Somphon, Sakon Nakhon Province
4. Luang Por Pae of Wat Pikul Thong, Sing Buri Province
5. Luang Por Kuay of Wat Khositaram, Chainat Province
6. Luang Por Thir of Wat Palelai, Suphan Buri Province
7. Luang Por Phrom of Wat Chong Khae, Nakhon Sawan Province
8. Luang Por Thob of Wat Chang Phueak, Phetchabun Province
9. Luang Por Nuang of Wat Chulamanee, Samut Songkhram Province

Artistic Features and Identification Points (Clay Body)

• Iconography: Features the iconic triangular shape of Phra Nang Phaya, depicting the Buddha in the Mara-Vichaya posture (subduing Mara). The craftsmanship elegantly replicates the classic antique Phra Nang Phaya mold styles.
• Clay Texture: Made of baked sacred clay, exhibiting a naturally dry, compact, and aged appearance characteristic of traditional ancient firing methods. Colors vary depending on firing temperatures, including red, orange, pikul-flower yellow, brown, and black.
• Patina and Inclusions: Shows natural distributions of mineral grains, sand particles, and ancient powder specks across the surface.

Sacred Efficacy (Puttakhun)

• Loving-Kindness and Charm (Metta Maha Niyom & Maha Sanaeh): Enhances authority, prestige, charm, and goodwill from others.
• Safety and Protection: Wards off danger, harm, and evil forces.
• Prosperity and Good Fortune: Promotes career growth, business trade, and overall life stability.

历史与制作背景

• 督造高僧: 由泰国佛统府（注：实际为彭世洛府）南帕亚寺（Wat Nang Phaya）前任住持 阿赞塔诺（Ajarn Thanom / 帕库希萨桑潘） 主持督造。
• 督造目的: 旨在筹集善款，用于修建南帕亚寺的新大雄宝殿以替代破旧的老大殿，并传承南帕亚神圣佛牌的千古传奇。
• 制作初衷: 意图纯正且明确，遵循古法制作佛牌，供信众佩戴护身与祈福。

制作圣料（烧结泥质）

• 老塔南帕亚碎料: 收集并打碎了南帕亚寺内保存的阿瑜陀耶时代古塔出土的南帕亚老佛牌碎块，作为最核心的圣物原料。
• 圣土与矿物: 包含南帕亚古塔圣土、萨阁神池圣土、全国各大圣地的泥土以及古老矿物粉末。
• 高僧圣粉: 包含了来自全国多位名僧捐赠的伊提杰圣粉（Ittije）、巴他茫圣粉（Patthamang）及各类法术圣粉。

盛大加持法会（佛历2514年大法会）

1. 龙普多（Luang Pu Toh） – 曼谷 Wat Pradou Chimphli
2. 龙婆银（Luang Por Ngen） – 佛统府 Wat Don Yai Hom
3. 龙普范（Luang Pu Fan Ajaro） – 色军府 Wat Pa Udom Somphon
4. 龙婆培（Luang Por Pae） – 信武里府 Wat Pikul Thong
5. 龙婆贵（Luang Por Kuay） – 猜纳府 Wat Khositaram
6. 龙婆提（Luang Por Thir） – 素攀武里府 Wat Palelai
7. 龙婆普罗姆（Luang Por Phrom） – 那空沙旺府 Wat Chong Khae
8. 龙婆拓（Luang Por Thob） – 碧差汶府 Wat Chang Phueak
9. 龙婆暖（Luang Por Nuang） – 夜功府 Wat Chulamanee

造像艺术与鉴别特征（泥质）

• 佛像形态: 呈经典的三角形南帕亚造型，佛陀呈降魔触地印姿态。线条优美流畅，完美复刻了古塔南帕亚的传统艺术风格。
• 泥质肉质: 为古法烧结泥质，呈现出自然干燥、紧实与老旧的质感。因烧制温度不同，尊像颜色包含红色、橙色、黄褐色、棕色及黑色等。
• 包浆与颗粒: 佛牌表面自然分布着矿物颗粒、细砂及老塔粉末颗粒。

佩戴功效（Puttakhun）

• 人缘与威严（Metta Maha Niyom & Maha Sanaeh）: 极大提升个人威严、气场、人缘魅力，获得贵人相助与爱戴。
• 避险保平安: 驱邪挡灾，抵御一切意外与危险。
• 财运与事业: 促进事业发展、生意兴隆，巩固运势稳步上升。