Phra Buddha “Phim Sukhothai” Wat Khaoyai B.E.2518 (mass chanted)

History and Creation Background

• Organizer: Created by Mr. Rien Numdee (former Commander of the Ayutthaya Provincial Prison), who held deep faith in Luang Pu Doo of Wat Sakae and prominent master monks of that era.
• Objective: Produced to raise funds for the restoration of Wat Khao Yai in Doem Bang Nang Buat District, Suphan Buri Province.
• Three Eras Powder Series: The Wat Khao Yai powder amulets were crafted as a set depicting three classic Thai Buddhist artistic eras: Chiang Saen, Sukhothai, and U Thong (alongside the Phra Pidta Maha Lap edition).

Sacred Materials (Muan Sarn)

• Sacred Powder from Luang Pu Doo: Mr. Rien Numdee received sacred Puttakhun powders directly blessed and donated by Luang Pu Doo of Wat Sakae.
• Powders from Renowned Masters: Handwritten chalkboard powders, 108 types of sacred herbs, and holy materials gathered from various temples.
• Ancient Materials: Sacred flower pollens used in worship, as well as ancient powder materials from Suphan Buri and Phra Nakhon Si Ayutthaya.

Consecration Ceremony (Jaturapit Pornchai Ceremony, 1975)

1. Luang Pu Toh of Wat Pradou Chimphli, Bangkok
2. Luang Por Kuay of Wat Khositaram, Chainat Province (who spent an extraordinarily long period in meditative empowerment)
3. Luang Por Nor of Wat Klang, Phra Nakhon Si Ayutthaya Province
4. Luang Por Thir of Wat Palelai, Suphan Buri Province
5. Luang Por Pae of Wat Pikul Thong, Sing Buri Province
6. Luang Por Pring of Wat Kong Thanu, Lopburi Province
7. Luang Por Nuai of Wat Baan Chaeng, Phra Nakhon Si Ayutthaya Province
8. Luang Por Aod of Wat Baan Chang, Phra Nakhon Si Ayutthaya Province
9. Luang Por Seng of Wat Kanlayanamitr, Bangkok

Artistic Features and Identification Points

• Iconography: Features the Mara-Vichaya Buddha posture reflecting graceful Sukhothai artistic aesthetics, with a serene facial expression and well-proportioned body.
• Texture: Made of sacred powder featuring a soft off-white, cream, or light brown hue, displaying a naturally dry texture typical of nearly 50-year-old powder amulets.
• Back Surface: The back is generally smooth or bears standard temple stamp/press marks of the Wat Khao Yai series.

Sacred Efficacy (Puttakhun)

• Prosperity and Fortune: Bestows the four noble blessings according to the ceremony’s name Jaturapit Pornchai (Longevity, Radiance, Happiness, and Strength).
• Loving-Kindness (Metta Maha Niyom): Enhances career progression and business trade success.
• Protection and Safety: Delivers outstanding defense against harm, accidents, and malevolent energies.

历史与制作背景

• 督造发起人: 由 连·农迪先生（Mr. Rien Numdee / 前大城府监狱长） 主持督造。连先生对瓦萨给寺（Wat Sakae）龙普笃高僧及当时多位名僧怀有极其崇高笃深的信仰。
• 督造目的: 旨在筹集善款，用于修缮素攀武里府德班南博县（Doem Bang Nang Buat）的考亚寺（Wat Khao Yai）。
• 三时代粉牌系列: 考亚寺圣物特意以泰国三大经典佛教艺术时代造型制作，包括 清森（Chiang Saen）模、素可泰（Sukhothai）模与乌通（U Thong）模（以及大财运必打佛）。

制作圣料（Muan Sarn）

• 龙普笃（Wat Sakae）圣粉: 连·农迪先生特蒙龙普笃高僧慈悲加持并赠予核心佛陀功德圣粉（Puttakhun）。
• 各大高僧经粉: 包含手写符文粉末、108种吉祥药草粉，以及收集自多座古寺的神圣原料。
• 古塔与供佛圣物: 供佛鲜花花粉以及来自素攀武里府和大城府的古塔出土老料。

加持法会（Jaturapit Pornchai 佛历2518年大法会）

1. 龙普多（Luang Pu Toh） – 曼谷 Wat Pradou Chimphli
2. 龙婆贵（Luang Por Kuay） – 猜纳府 Wat Khositaram（坐禅加持时间尤为长久）
3. 龙婆诺（Luang Por Nor） – 大城府 Wat Klang
4. 龙婆提（Luang Por Thir） – 素攀武里府 Wat Palelai
5. 龙婆培（Luang Por Pae） – 信武里府 Wat Pikul Thong
6. 龙婆普灵（Luang Por Pring） – 洛坤府 Wat Kong Thanu
7. 龙婆耐（Luang Por Nuai） – 大城府 Wat Baan Chaeng
8. 龙婆奥（Luang Por Aod） – 大城府 Wat Baan Chang
9. 龙婆僧（Luang Por Seng） – 曼谷 Wat Kanlayanamitr

造型艺术与鉴别特征

• 佛像形态: 呈降魔触地印姿态，融合了优雅柔美的 素可泰风格艺术，法相慈祥端庄，身形比例匀称。
• 质感肉质: 材质为淡黄白色或浅棕色的圣粉，呈现出近50年老粉牌自然的干燥与老旧质感。
• 背面特征: 背面通常平整，或印有考亚寺系列的标准印记/压痕。

佩戴功效（Puttakhun）

• 繁荣与福报: 赐予法会名称“Jaturapit Pornchai”所代表的四大吉祥祝福（长寿、容光、快乐、健壮）。
• 慈悲人缘（Metta Maha Niyom）: 助力事业蒸蒸日上，促进商业生意兴隆。
• 避险保平安: 具备极佳的驱邪挡灾、避险护身功效。